I write about the mess and magic that comes with change.

Across genre and form, I tell stories in the medium that best serves them, whether that’s a comedy-drama series, a literary fiction novel, or a personal essay.

I put queer people, especially women in diaspora, at the center of universally human stories. Our identities are our lens, never the plot. I’m drawn to inner worlds and the grey spaces between grief and joy, but my work is never far from a laugh. I weave questions about the systems we live within through every story, often using speculative worlds and surrealism to reveal how even seemingly unchangeable systems can be changed.

Literary Fiction
Scripts
Creative Non-Fiction

See Full CV

Scripts

Nina & The In-Betweeners
Comedy-drama pilot

Talking To God
Short Drama

Look, Kid
Feature Drama

Highlights

My debut pilot, Nina & The In-Betweeners, has placed in four international screenwriting competitions, including Austin Film Festival & PAGE International Awards 2025.

Talking To God, a short drama script, was a top 3 finalist in Kinolime’s South Asia Shorts 2026, earning a production grant for the award.

Look, Kid, is a second rounder Feature Drama at Austin Film Festival 2026.

Enough, my debut short film that I wrote and brought to life, has screened at international festivals, including Oscar-accredited BISFF Bengaluru 2026.

In addition, I have written +2 pilots (comedy-drama), +4 shorts (comedies, dramas), +1 feature (drama) that are currently in submission

What Readers Are Saying

“ A diverse character ensemble, great characterization and flare. The world building is effective, and the writer has a great handle on the genre.”

— Shore Scripts Reader
for Nina & The In-Betweeners

“It has the potential to be the next TV hit.”

— Austin Film Festival Reader for Nina & The In-Betweeners

“The writer presents a confident tone and style.”

— Shore Scripts Reader
for Nina & The In-Betweeners

Creative Non-Fiction

In my independent publication Brea Is Too Much, I publish essays exploring queerness in diaspora, the inner workings of my artistic process, and personal stories about family, love, and healing.

What Readers Are Saying

“Such a wonderful blend of humor and vulnerability in this piece! Thanks for normalizing the internalized shame that so many of us carry but have great trouble externalizing.”

— Keith A
Author of Big Blue Sky Dragonfly on Substack

“Brea has penned a well-wrought look at internalized homophobia and its inherent shame, using her literal nakedness on a tour of Japanese onsens (hotsprings) as a metaphor for the vulnerability of embracing identity.”

— Mr. Troy Ford
Founder & Editor of QStack: The LGBTQAI+ Forum

“Brea, The gentleness you named...That's the part I hadn't quite articulated to myself until I read your response. That's its own kind of precision. Thank you for writing something that made that possible.”

— Lucy C
Author of Three Ways on Substack

Literary Fiction

It’s querying season—

 My dual-protagonist literary fiction novel blends speculative memory technology with queer diaspora, telling the individual and shared stories of two women whose chance encounter changes the course of their lives, even though they were never supposed to meet. 

With a complete manuscript, I am actively seeking the right champion to bring this story to publishers.